This track is a masterclass in how a cover can surpass its source material through sheer force of arrangement and performance. Amy Winehouse transformed a Zutons indie-rock song into a full-band soul statement, and the result became one of the most beloved recordings of the 2000s.

The recording was produced by Mark Ronson and appeared on his album Version in 2007, with Winehouse on vocals. The arrangement layers live horns, tight rhythm section playing, and gospel-influenced backing vocals into a sound that feels both vintage and immediate. It became a crossover hit on multiple charts worldwide.

The feel is bright and propulsive, built on a steady eighth-note pulse with syncopation woven into the horn lines and rhythm parts. The form is clean and verse-chorus with a strong sense of call and response between the lead vocal and the horns. The arrangement breathes, leaving space that rewards players who listen closely before they play.

When approaching this song on any instrument, focus first on the groove rather than the individual part. The energy comes from everyone sitting in the same pocket together. Practicing with a focus on where the space falls, how the dynamic builds through each section, and how the horn punches land will serve any instrumentalist well before working on the specifics of their own part.

• Original song written and recorded by The Zutons, released in 2006.
• Amy Winehouse cover produced by Mark Ronson.
• Released on Mark Ronson's album Version in 2007.
• Reached number one in the UK Singles Chart.
• Feel: driving, eighth-note soul groove with syncopated horn accents.
• Arrangement features live horns, tight rhythm section, and layered backing vocals.