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Shot Down in Flames

AC/DC

00:00
Intro
Verse 1
Pre-Chorus
Chorus 1
Verse 2
Pre-Chorus 2
Chorus 2
Bridge
Verse 3
Interlude
Verse 4
Chorus 3
Outro
Intro
Start0:00.00
End0:09.42
Intro
Verse 1
Pre-Chorus
Chorus 1
Verse 2
Pre-Chorus 2
Chorus 2
Bridge
Verse 3
Interlude
Verse 4
Chorus 3
Outro

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Angus Young drives this track with a raw, punchy rhythm guitar riff built on open-position power chords that lock in tightly with the rhythm section throughout the song. The lead work features Angus's signature pentatonic phrasing with aggressive bends and staccato attack, making it a rewarding loop for players looking to nail his no-frills hard rock style.

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Learn Shot Down in Flames

Rock — Shot Down in Flames by AC/DC is mapped into sections so you can loop what falls apart and slow it down. Dial in Pick technique, Muting, and Chords. The map includes Intro, Verse 1, Pre-Chorus, Chorus 1, Verse 2, Pre-Chorus 2, and more. Sign up free to keep the map, track your confidence, and come back tomorrow.

Read the full story

Few rock tracks from 1979 demonstrate the power of disciplined simplicity as clearly as this one. It moves with absolute confidence, never overreaching, and rewards any player who respects the pocket above all else.

Recorded by AC/DC for their 1979 album Highway to Hell, this was one of the last tracks made with producer Mutt Lange and guitarist Bon Scott before the band's lineup changed forever. The arrangement is lean and locked-in, with every part earning its place.

The feel is a hard-driving eighth-note groove anchored by a relentless rhythmic pulse. The harmony is straightforward, built on open power chord movement that gives the song its raw, physical push. The form follows a clear verse-chorus structure with no unnecessary detours, which makes the energy of each section hit harder by contrast.

When approaching this track, focus on consistency and staying in the pocket. The challenge is not complexity but commitment: every note and rest needs to land in exactly the right place. Study how the band breathes together as a unit, and pay attention to where dynamics naturally rise and fall across the form without any single instrument overplaying.

  • Artist: AC/DC
  • Album: Highway to Hell
  • Year: 1979
  • Feel: Hard rock, driving eighth-note groove
  • Time signature: 4/4
  • Producer: Robert John "Mutt" Lange

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