This track is a masterclass in forward momentum. It opens the most successful album in Fleetwood Mac history with an irresistible energy that never lets up, and learning it reveals how much power a simple, locked-in groove can carry.

Recorded for Rumours (1977), the song was written and sung by Lindsey Buckingham. Its arrangement strips things down to an almost relentless forward drive, with acoustic guitar work that owes a clear debt to the folk-banjo picking style of artists like John Stewart. The production, helmed by Buckingham, Ken Caillat, and Richard Dashut, is crisp and immediate.

The feel is defined by a driving eighth-note pulse that pushes the track forward from the first bar. The harmony stays rooted and diatonic, making it approachable without being simplistic. The form is tight and verse-chorus, with little ornamentation. What stands out is how the rhythm section and guitar interlock to create a sense of urgency that feels effortless.

When approaching this song on any instrument, the priority is consistency. The groove demands a steady internal pulse and a light touch. Listen carefully to how the parts lock together before you focus on your own line. Dynamics matter here: the track breathes through subtle shifts in intensity rather than dramatic swells, so controlled playing rewards the listener more than aggressive attack.

• Artist: Fleetwood Mac
• Album: Rumours
• Released: 1977
• Written and performed by: Lindsey Buckingham
• Feel: Driving eighth-note groove with a folk-influenced picking pattern
• Arrangement style: Lean and interlocking, built around rhythmic precision over ornamentation