This is one of U2's most restrained and emotionally direct performances, a track that earns its power through what is left out rather than what is piled in. For any player, it is a masterclass in space, patience, and serving a song rather than showing off.

Released in 1987 on The Joshua Tree, the track was produced by Brian Eno and Daniel Lanois alongside the band. It sits near the end of one of the most celebrated rock albums of its decade, and its quiet placement there is no accident. The production is sparse and atmospheric, with a slow harmonic pulse and an arrangement that barely rises above a whisper for most of its length.

The feel is a slow, open beat with very little subdivision driving it forward. The harmony moves in wide, unhurried steps, giving the whole track a hymn-like quality. There is a gentle swell toward the end, but the signature of the piece is its stillness. Players should listen carefully to how every part breathes and how much room each instrument gives to the others.

The best practice angle here is dynamics and restraint. Try playing through the form at a lower volume than feels comfortable and notice how much more intentional every gesture becomes. Focus on the pocket, staying locked to the pulse without leaning on it. The form is simple enough that all attention can go to tone, touch, and timing.

• Artist: U2
• Album: The Joshua Tree (1987)
• Feel: Slow, open, and hymn-like with a steady pulse and minimal subdivision
• Arrangement: Famously sparse production by Brian Eno and Daniel Lanois
• Key skill: Dynamics and restraint across any instrument
• Form: Gradual build from near-silence to a controlled emotional peak