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Night Prowler

AC/DC

00:00
Intro
Verse 1
Chorus 1
Solo
Verse 2
Chorus 2
Solo 2
Chorus 3
Chorus 4
Bridge
Outro
Intro
Start0:00.00
End1:04.17
Intro
Verse 1
Chorus 1
Solo
Verse 2
Chorus 2
Solo 2
Chorus 3
Chorus 4
Bridge
Outro

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Angus Young's guitar work on this track centers on a slow, heavy blues riff built around sliding power chords and a brooding, repetitive groove that rewards careful attention to pick attack and string muting. The lead playing features melodic minor-pentatonic phrases with sustained bends and vibrato that give the song its distinctive creeping, menacing character.

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Learn Night Prowler

Rock — Night Prowler by AC/DC is mapped into sections so you can loop what falls apart and slow it down. Dial in Pick technique, String bending, and Dynamics. The map includes Intro, Verse 1, Chorus 1, Solo, Verse 2, Chorus 2, and more. Sign up free to keep the map, track your confidence, and come back tomorrow.

Read the full story

Night Prowler is one of the most atmospheric tracks in the AC/DC catalog, a slow, brooding closer that stands apart from the band's usual high-energy anthems. Its restraint is the challenge, and that makes it a genuinely rewarding study for any player.

The track appears as the final song on Highway to Hell, released in 1979 and produced by Robert John "Mutt" Lange. It was the last studio album recorded with vocalist Bon Scott, and the mood of this particular song carries real weight as a result. The arrangement is sparse and deliberate, letting every note breathe.

The feel is a slow, heavy blues-rock crawl built on a repeating riff that locks tightly with the rhythm section. The groove depends entirely on patience and placement. Angus Young's lead work is minimal and expressive rather than showy, and the interplay between the two guitars is a masterclass in how space can create tension. The form is straightforward, which means there is nowhere to hide from the pocket.

When approaching this song, focus on consistency of touch across a long, slow groove. The temptation is to rush or fill gaps. Listening to how each instrument sits against the others is the real lesson here. Dynamics matter more than technique, and the ability to sustain a mood across a full track length is the central skill being tested.

  • Artist: AC/DC
  • Album: Highway to Hell
  • Released: 1979
  • Feel: slow, heavy blues-rock with a brooding, atmospheric groove
  • Final studio recording featuring vocalist Bon Scott
  • Produced by Robert John "Mutt" Lange

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